Monday, February 06, 2012

The Answer Isn't Always Blowin' in the Wind


About 80 miles from Chicago, along a stretch of I-65 in northern Indiana, hundreds of wind turbines turn in unison, creating an alternative energy source that has been touted by many as the wave of the future. The wind farm is a sight to behold, with its 400-foot, gleaming white turbines laid out across the land in a pattern. Driving through the spinning windmills has a calming effect on me, dissipating stress and relieving boredom. After watching Laura Israel’s excellent documentary Windfall, I confess that I am still fascinated by their man-made beauty, even as I am leery of the wind industry’s image as “the good energy.”  

Windfall tells the story of what happened in Israel’s town of Meredith, New York, when an energy company from Ireland stealthily invades the town hoping to establish a wind project on local farms and pasture lands like one in nearby Tug Hill. At first eager to embrace the new energy source, and mindful of the money that it would bring to the community, some residents are enthusiastic. As might be expected, no one told them of the negative effect of the turbines. The turbines kill thousands of birds, while the constant noise, strobing effect, and mysterious fields of energy produced by the monoliths have caused death and destruction to farm animals. For humans, the monotonous noise of the propellers and the strobing effect when the blades catch the sun can cause daily migraines and nausea, while the threat of ice hurled by the blades make them a danger in the winter months.

In addition, the turbines can overheat from the constant turning and catch on fire, causing the propeller to fall apart.  Because the fire is 400 feet straight up, local fire departments are not equipped to put the fire out. In the film, when one of the turbines catches fire, men watch helplessly as foul-smelling smoke blackens the air, and huge pieces of hot metal drop to the ground.

My family is from West Virginia, where energy companies have been raping the state, lining the pockets of politicians, and exploiting residents for 100 years. First, it was the coal companies, which still skirt state and federal environmental laws with the skill of the best con men, and then it was the oil and gas companies. Now, the gas companies have returned to extract more gas via fracking. You would think that people would learn, but, like the residents Meredith, representatives of energy companies have a fool-proof strategy to get what they want. First a few large landowners whose families have been in the area for generations are approached to sign up. Then, town supervisors and members of the town planning board, who may be landowners themselves, are targeted. Those who are approached, even if they decline the company’s offers, have to sign a confidentiality agreement that prevents them from telling their neighbors what is coming. When the news does get out, there is an implication of inevitability, because the company has already signed so many participants, leaving other residents to think that there is nothing they can do about it. When I was a kid, and the natural gas companies were preying on northern West Virginia, they even threatened to use the right of eminent domain on old-timers who refused to jump on the bandwagon.

In Meredith, the wind proposal split the town into two factions, pitting neighbor against neighbor and upsetting the social fabric of the community. Of course, the wind developers assured the residents they would take care of ruined turbines, return the land to its natural state when the project was decommissioned, etc., etc., but those promises sound an awful lot like those made by the  coal, gas, and oil companies in West Virginia. If you believe any energy company will do what they promise after they have gotten what they wanted, then I have some oily farmland with ruined well water to sell you in West Virginia.

Windfall tells a good story about decent people in a tragic predicament, and, in the process, raises a lot of questions: Just how good is the “good energy?” Should wind farms be controlled by mammoth energy companies, or by communities that can control the placement and number of turbines? In Bill Haney’s film The Last Mountain, Robert Kennedy Jr. advocates wind energy as a safe alternative to coal mining via mountain-top removal, which has devastated southern West Virginia. Do we pick the energy source that is least harmful? And, whose word do we take on which energy is the safest?

The wind farm along I-65 in northern Indiana. The issue is closer than you think.
Given the proximity of the enormous Indiana wind farm to Chicago, I thought Windfall would draw a lot of viewers. Apparently, I was wrong as attendance for this film has not met expectations. It seems everyone likes to talk about alternative energy sources, but no one wants to do anything about them—not even making an effort to understand the downside of a “good energy.” Just remember that being “green” is about more than patting yourself on the back for buying those CFL light bulbs. –Susan Doll

Thursday, January 26, 2012

The Films of Asghar Farhadi


The Iranian drama A Separation by Asghar Farhadi has been garnering much attention at film festivals around the world, including the Palm Springs International Film Festival (PSIFF), which I recently attended. The PSIFF is known for programming international films submitted to the Academy of Motion Picture Arts and Sciences as candidates for the best foreign film. This year the fest showed 40 of the 63 submissions for consideration by the Academy. I was not surprised last Tuesday when A Separation was announced as one of the five nominees for the Best Foreign-Language Oscar. I was pleased for Iranian filmmaker Asghar Farhadi, who also directed a popular film available on the Facets DVD label, Fireworks Wednesday

Friday, January 20, 2012

The History of Film: A Fresh Perspective


I attended the Palm Springs International Film Festival for the second year, and one of my favorite viewing experiences was an ambitious documentary series titled The Story of Film: An Odyssey. Directed by Irish filmmaker Mark Cousins, the series is a 15-hour chronicle of world film from the 1890s through the beginning of the millennium.

Friday, December 30, 2011

Ring in the New Year with Movies

Mention movies with scenes set on New Year’s Eve, and most people will think of When Harry Met Sally or Bridget Jones’ Diary. Film buffs might come up with Strange Days or 200 Cigarettes.  But, there are plenty of other movies that will make good viewing this holiday weekend for those who want to steer clear of noisy, rowdy crowds. To avoid the obvious, I thought I would focus my selection of New Year’s Eve movies on classic films that are often overlooked in such lists. There is still time to race to Facets to check out some of these films, or to browse through Netflix to see if they are available for streaming.


Monday, December 12, 2011

Facets' College Corner: Hommage à Georges Méliès

This week in College Corner, student Diana Kopecky of Oakton Community College writes about Hugo, Martin Scorsese's valentine to George Méliès and the value of film preservation. After studying Méliès in an introductory film class, Diana found the experience of watching Scorsese's movie very rewarding.



Friday, December 02, 2011

Alfred Hitchcock: So Quick with the Quip

 
It’s hard to believe that Alfred Hitchcock has been dead for 32 years. One of the few directors from the Golden Age who remains a household name, Hitchcock can still pack the house. This Sunday, December 4 at 11:00am, Facets hosts a screening of Vertigo, followed by a discussion with mystery writer Sara Paretsky and psychologist James W. Anderson.

Wednesday, November 23, 2011

Five Things to Watch for in Vertigo


On December 4, Facets is screening Vertigo in 35mm, which will be followed by a Film Dialogue with detective novelist Sara Paretsky and psychologist James W. Anderson. I will leave the post-screening discussion topic up to our notable guests, but I thought I would offer a viewing guide for Vertigo. Below is a list of shots, scenes, and ideas to consider while watching the film.